As a designer, an illustrator
2021至2023年间，我以设计师和插画师的身份工作。 这时期的实践围绕视觉设计、书籍设计、插画、自出版、印刷实验、图像编辑与视觉叙事展开。现在回看，它并不是一段与后来艺术实践有明确边界的经历。正是这一阶段构建了我进入图像、材料、纸张、版面、编辑与出版等结构的起点。
在这些工作中，图像是在编辑、排版、印刷、装帧和流通中不断被重新组织的材料。设计和插画形成了我对视觉生产的部分理解：如何处理图像与文字的关系，如何理解纸张和印刷对观看经验的影响，如何通过一组图像、一个页面或一本书建立叙事和节奏。这些经验也成为我后来建立非单一媒介研究项目的重要基础。
Between 2021 and 2023, I worked mainly as a designer and an illustrator. Design and illustration gave me a way of entering practice through visual production: how to work with the relationship between image and text, how paper and printing shape the experience of seeing, and how a book, a page, or a sequence of images can build narrative and rhythm. These experiences became an important foundation for my later work with photography, field materials, writing, and self-publishing.